Online/Offline Score Informed Music Signal Decomposition:
Application to Minus One


This page contains separation results for article "Online/Offline Score Informed Music Signal Decomposition: Application to Minus One" submitted to EURASIP Journal on Audio, Speech, and Music Processing.

Authors: Antonio Jesus Munoz-Montoro, Julio Jose Carabias-Orti, Pedro Vera-Candeas, Francisco Jesus Canadas-Quesada and Nicolas Ruiz-Reyes


Small Ensembles Dataset

Source Separation Results

Variants of the proposed method
            Compared methods          
scoreFree
Ideal
scoreSynthFree
GT
scoreSynthFix
ED
scoreFree-DTWoff
Soundprism
scoreSynthFix-DTWoff Fritsch

Ganseman
scoreSynthFree-DTWoff Miron
scoreSynthFix-DTWon REMASSeparation




Large Ensembles Orchestra Dataset

Orchestra Source Separation Results

Samples
Ideal
GT
ED
Soundprism
Fritsch
Ganseman
Miron
REMASSeparation
scoreSynthFree-DTWoff
scoreSynthFix-DTWon
Beethoven
Link Link Link Link Link Link Link Link
Link Link
Bruckner
Link Link Link Link Link Link Link Link
Link Link
Mahler
Link Link Link Link Link Link Link Link
Link Link
Mozart
Link
Link Link Link Link Link Link Link
Link Link


Minus One Results
Samples
Ideal
ED
scoreSynthFree-DTWoff scoreSynthFix-DTWon scoreSynthFree-DTWoff-psycho scoreSynthFix-DTWon-psycho
Beethoven
Link Link Link Link Link Link
Bruckner
Link Link Link Link Link Link
Mahler
Link Link Link Link Link Link
Mozart
Link
Link Link Link Link Link


Minus Melody Line Example


Below is provided an example where the melody line has been removed in the sample 4 (Mozart's composition). The main melody is compounded by bassoon and clarinet, both removed in the mixture. The first link provides the original source. The second one shows the result achieved by upmixing the corresponding instruments after the separation process. Finally, the result obtained by applying the psychoacoustical mask is provided.
  1. Source
  2. Upmixing
  3. Psychoacoustical mask